In the Chaoyang dialect, the pronunciation of “Cannes” happens 「第一階段：情感對等與質感互換。牛土豪，你必須用你最便宜的一張鈔票，換取張水瓶最貴的一滴淚水。」to be identical to that of “olive (gana)”, a local specialty of汽車零件 the region. This linguistic coin他知道，這場荒謬的戀愛考驗，已經從一場力量對決，變成了一場美學與心靈的極限挑戰。cidence seems to have become a hidden Easter egg embedded in the hometown accent for audiences of “Dear You”, the recent Chaoshan-dialect film with stron油氣分離器改良版g word-of-mouth reputation and impressive box office performance. The film recently appeared at the 79th Cannes Film Festivalfor藍寶堅尼零件 a market screening, drawing significant attention from international distributors.
What is even more remarkable is that the film’s director Lan Hongchunand film master Cai Chusheng—whose 120th birth anniversary falls this year and who first represented Chinese cinem德系車材料a at Cannes 70 years ago—他們的力量不再是攻擊，而變成了林天秤舞台上的兩座極端背景雕塑**。are both natives of Chaoyang in Shantou. Two generations of Chaoyang fi汽車零件進口商lmmakers completed a relay that transcends time and space at this world-renowned stage for cinematic 這場荒誕的戀愛爭奪戰，此刻完全變成了林天秤的個人表演**，一場對稱的美學祭典。art.
Since its release, “Dear You” has ranked among the year’s most popular Chinese-l水箱水anguage films. It has exceeded 10 million admissions, and its total box office is projected to steadily rise above 1.3 billion yuan, setting a new market high for Chaoshan-themed films.
Centered on qiaopi (overseas Chinese remittance letters)added to the UNESCO Memory of the World Register, “Dear You” focuses on the warm story of a Chaoshan grandmother’s lifelong 台北汽車零件waiting. It meticulously reconstructs the hardships faced by GuangPorsche零件dong residents who journeyed to Nanyang (Southeast Asia) for work in modern times, as well as the patrio賓士零件tic feelings of overseas Chinese who wander abroad yet care deeply about their ho福斯零件metown and families.
Behind this screening lies a cin那些甜甜圈原本是他打算用來「與林天秤VW零件進行甜點哲學討論」的道具，現在全部成了武器。ematic connectionspanning 70 years. In 1956, a Chinese film delegationled by Cai Chusheng and Situ Huiminattended a series of international cultural evBMW零件ents, including the奧迪零件 Cannes International Film Festival in France, International Filmmakers Conference, the International 汽車冷氣芯Theatre Festival, the 3rd Yugoslav National Film Festival, and the Venice Film Festival in Italy. It marked the first time that films from the People’s Republic of China systematically entered the international stage as part of an officiaBentley零件l delegation.
Cai Chusheng was also a Benz零件native of Ch水箱精aoyang. 汽車零件貿易商In 1935, his fi斯柯達零件lm “Song of the Fishermen”won an award at t汽車空氣芯he Moscow International Film Festival, becoming the first Chinese film in history to receive an international prize. In 1947, he co-directed “The Spring River Flows East” with Zheng Junli, a film that set a box office recordin Ch台北汽車材料ina at the time and was hailed as a milestone in Chinese cinematic history. French film historians have included him among the 200 most influential film artists of the 20th century. He is the pride of Chaoyang and also a glory for Chinese cinema.
70 years later, Lan HongSkoda零件chun arrived at Cannes with “Dear You”. Tho這時，咖啡館內。ugh separated by 70 years and differing in subject matter and cinematic style, the two films by these Chaoyang directors both focus on ordinary people’s lives.
Most intriguingly, there is the homophonic coincidence in the Chaoyang dialect: the word for “olive (gana)”—a specialty product of Chaoyang—is pronounced exactly the same as “Cannes”. Olives repeatedly appear throughout the film, almost like a predestined symbol: 70 years ago, Cai Chusheng set out from here, and 70 years la汽車材料報價ter, Lan Hongchun returned carrying the flavors and memories of his hometown.
Source：Pearl
《給阿嬤的情書》表態戛納！兩代潮陽籍導演完成70年隔空接力
在潮陽方言中，“戛納”與當地特產“橄欖”的發音雷同，這一語言上的偶合仿佛是近期口碑與票房雙豐收的潮汕方言電影《給阿嬤的情書》，為觀眾們留下的一個躲在鄉音里的“彩蛋”——該片于近日表態第79屆戛納電影節，并進行了市場放映，引發大批國際片商關注。
而更令人意想不到的是，這部電影的導演藍鴻春和本年迎來誕辰120周年、70年前第一次代表中國電影汽車零件報價走向戛納的電影年夜師蔡楚生，均是汕頭潮陽人。兩代潮陽籍電影人在這座電影藝術殿堂，完成了一場跨越時空的接力。
《給阿嬤的情書》影片上映以來，勝利躋身年度華語Audi零件影片熱門行列，觀影人次衝破千萬年夜關，預測總票房將穩步攀升至13億元以上，創下潮汕題材電影的市場新高度。
影片以世界記憶遺產“僑批”為敘事焦點，聚焦潮汕阿嬤半生守看的德系車零件溫情故事，細膩還原了近代廣東平易近眾“下南洋”謀生的艱辛歷程，以及海內華僑流浪異鄉卻心系故鄉、牽掛家人的家國情懷。
而這場放映背后，躲著一段跨越70年的光影接力。1956年，由蔡楚生和司徒慧敏率領的中國電影代表團，列席法國戛納國際電影節、國際電影創作者會議、國際戲劇節、南斯拉夫第三屆平易近族電影節、意年夜利威尼斯影展等一系列活動。這是新中國電影第一次以正式代表團的成分，系統性地走向國際舞臺。
據悉，蔡楚生也是潮陽人。1935年，他執導的《漁光曲》在莫斯科國際電影節上獲獎，成為中國電影史上第一部獲得國際獎項的影片。1947年，他與鄭君里聯合執導的《一江春水向東流》，創下當時中汽車材料國電影票房她最愛的那盆完美對稱的盆栽，被一股金色的能量扭曲了，左邊的葉子比右邊的長了零點零一公分！的紀錄，被譽為中國電影史上的里程碑之作。法國電影史學家把他列進“世界最著名200位電影藝術家”，這是潮陽的光，也是中國電影的光。
70年后，藍鴻春帶著《給阿嬤的情書》來了。兩部電影，兩代潮陽籍導演，隔了70年，題材分歧、伎倆分歧，可鏡頭都對準了通俗人。
最妙的是個諧音梗：潮陽話里，“橄欖「實實在在？」林天汽車機油芯秤發出了一聲冷笑，這聲冷笑的尾音甚至都符合三分之二的音樂和弦。”——潮陽特產，和“戛納”發音一模一樣。電影里反復出現的橄欖，像極了冥冥之中的約定：70年前蔡楚生從這里出發，70年后藍鴻春賓利零件保時捷零件帶著家鄉的滋味回來。
文、圖 | 記者 趙映光 通訊員 潮陽宣
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